Showing posts with label pontani sisters. Show all posts
Showing posts with label pontani sisters. Show all posts

Sunday, August 10, 2008

Soliciting


Last night I went to probably the best burlesque show in New York City, This is Burlesque. I'd seen the performers many times before, not to mention most of the routines they did, but I still had a wonderful time.

The reason I bring up having gone at all is because when I went to the bathroom before the show, I got a slight peek into the dressing room. I saw Angie Pontani chatting with someone while getting ready, Murray Hill joking around pre-polyester, and Melody Sweets popped out of a door too. I didn't bother them, as I don't think they were really wanting to be seen at that point, but what I really wanted to ask them (with the exception of Murray Hill--sorry, buddy) was for beauty tips. Even the house kitten, Little Miss Licks, had enviably perfect hair, and she wasn't performing. I have no idea how burlesque stars manage to get their victory rolls to stay put while twirling or tapping around on a stage, how their curls are so perfect and non-frizzy, or how they manage to do some of the fantastic up-dos they create. I know some of it is done with wigs, but I know some of it is also natural. I suppose that I am now admitting a weakness, which is that I cannot always do my hair as perfectly as I'd like. However, as I was wishing I could have the chance to ask the Pontani Sisters and the rest of the cast for their secrets, I realized I could also just ask you--my readers.

I would like to know your beauty secrets, from hair styling to makeup to skin care and pretty much anything else that helps you turn heads. Send me your tips and tricks, and I'll consolidate them to be shared with everyone else reading Pinup Tales. Don't let me down...it's all for the good cause of helping all women embrace their inner pinup!

Thursday, January 10, 2008

Nude and Tattooed


One thing I've noticed about the modern pinup girl is that she is often tattooed. And I'm not talking about some little butterfly on her inner ankle, I mean large and colorful art from her shoulder to her elbow. This is in stark contrast to what I've seen of pinups in the fifties, whose skin was left blank but for its natural beauty.

I view tattooing as a form of tagging. It's one of the many ways a person can make their body truly unique. I myself have a couple of tattoos, and I love seeing someone else's back and thinking how in that same spot on my own body, I chose to mark myself with symbols that mean something to me. Tattoos (and piercings, for that matter, of which I also have several) are a way of expressing your individuality. In the case of a pinup, you're quite literally branding yourself--for example, Peekaboo Pointe could put on whatever wig or mask she wanted, and I would know it was her from twenty feet away because of her gorgeous tattoos. Whereas with Dita Von Teese, part of her image is 1940s glamor, which just doesn't include body art.

I love the new burlesque movement in part because of the way it clashes the old with the new. At the Crazy Horse in Paris, the women couldn't have anything that distinguished them from any other girl on stage. The vision of a line of identical and beautiful naked women dancing before you was part of the magic, and fostered the aesthetic distance that remains necessary for people to be whisked away into fantasy. Burlesque has always been a form of expression, but watching how it has grown and developed somewhat signals a change in what we now perceive as attractive. Even Crazy Horse evolved, allowing Dita the privilege of being their first showcased performer since they opened their doors in 1951.

Masuimi Max's tattoos are hot. Every time I see Angie Pontani perform, I want to run off to the tattoo parlor and have my arm done. Maybe some of the change has to do with the way tattoos in general are viewed now--they're not just for sailors anymore!--but to me it seems they have been reappropriated by burlesque dancers as part of the act.
 
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Pinup Tales by Kitty du Vert is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.